Identity area
Reference code
Title
Date(s)
- 1585 (Creation)
Level of description
Extent and medium
Engraving on paper
Context area
Name of creator
Biographical history
Educated at Clare Hall/College; Fellow of Clare. From 1618 to 1624 he was director to the affairs of the Virginia Company. Ferrar was ordained as a deacon in 1626 and founded the small Anglican community of Little Gidding, Huntingdonshire, shortly after his mother Mary Ferrar purchased the land there in 1624.
Name of creator
Archival history
The loose Ferrar prints were conserved in 2014-2015. Please note that the digital images of the prints were captured before conservation work took place.
Content and structure area
Scope and content
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Physical characteristics and technical requirements
19.7 cm x 27.1 cm
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Note
Engraver: Jan Collaert I
Publisher: Gerard de Jode
After Crispin van den Broeck (attributed to)
Note
Part of a set of four prints depicting the parable of the prodigal son.
Note
The print comes from the Thesaurus Veteris et Novi Testamenti, a collection of groups of prints by different designers and engravers published together by Gerard de Jode in Antwerp in 1585.
Note
Text in the lower margin from Luke 15: "Fit supplex veniamque petit veniamq[ue] reportat A parte vera salus non aliunde venit."
Note
MS annotation on the verso of the print in the hand of John Ferrar: "93".
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Status
Level of detail
Dates of creation revision deletion
Language(s)
Script(s)
Sources
Mielke, H. Zeitschrift für Kunstgeschichte 38, 1975, pp. 29-83 (51)