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Born in 1956, Andrew Ingamells trained at St.Albans School of Art and the London College of Printing before embarking on a career as a graphic designer and illustrator. It was during this time that he started making drawings of individual buildings and architectural landscapes of London.
In 1987 he was invited to Clarendon Graphics, the print studio set up by Anthony Benjamin, to make aquatint etchings from some of his achitectural drawings. So began his love affair with a traditional printing method that has barely changed in centuries, continuing a tradition of neo classical draughtsmanship made popular by Piranesi.
Andrew has worked in close collaboration with master printmakers Pete Kosowicz and Simon Marsh, and with fine art print publisher Martin Village.
He has exhibited at many London venues over the years including CCA Galleries, The Grosvenor Gallery, The Curwen Gallery and The Royal Academy. His work is held in corporate and public collections including the Tate Gallery, HRH the Prince of Wales, English Heritage, The National Trust, The Paul Mellon Centre for British Art, Shell Oil and the City of London Guildhall Library who put on a retrospective exhibition of his work.
Notable works have included the Basilica San Marco in Venice, the Duomo di Firenze, Jefferson’s Monticello in Virginia and every one of Nicholas Hawksmoor's seven London Churches.
Andrew is currently working on a series of topographic line-plate etchings of the Oxford and Cambridge colleges, a project which has not been undertaken so seriously or comprehensively since the engravings of David Loggan's Cantabrigia Illustrata of the 1680s. He has also begun a series of studies of Ivy League universities in the United States and has recently completed studies of the three Inns of Court in London.