Zone d'identification
Type of entity
Forme autorisée du nom
forme(s) parallèle(s) du nom
- Robert Cooper (fl. 1793-1836)
Standardized form(s) of name according to other rules
Autre(s) forme(s) du nom
Identifiers for corporate bodies
Description area
Dates d’existence
Historique
Although a prolific portrait engraver over a number of decades, little is known of Robert Cooper. His first recorded work as an engraver was for the Biographical Magazine in 1795. He went on to contribute extensively to the periodical press, producing prints for, among others, La Belle Assemblée; or, Bell’s Court and Fashionable Magazine, the Gentleman's Magazine, European Magazine, Dramatic Magazine, and Evangelical Magazine. The most significant books to feature his work include Cawthorn's Modern British Theatre series, Edmond Lodge's series of Portraits of Illustrious Personages of Great Britain, Tresham's and Ottley's British Gallery of Pictures (1808), Chamberlaine's edition of Holbein drawings (1812), the Culloden Papers (1815), Memoirs of the Kit-Cat Club (1821), and Colburn's edition of Pepys's Diary (1825). His last recorded engraving dates from 1826, but, according to Samuel Redgrave, he was still living in 1836. He is probably identical with the 'R. Cooper' who exhibited miniature portraits at the Royal Academy between 1793 and 1799.