Menu for the Friends of Magdalene Boat Club Dinner held on 12 June 1998 (signed).
(1) Slowly Forward. Daily Points for Oarsmen, by Steve Fairbairn selected and arranged by F. Brittain (1929)
(2) Magdalene Boat Club, 1828-1928. A Short History with a List of Crews and Appendices (1930
Programmes for the Henley Royal Regatta:
1933 (8 Jul)
1968 [missing the front cover and pages 1-6. 1968 written in pencil at the top]
1969 [missing the front cover and pages 1-6. 1969 5th written in pencil at the top – Saturday 5th July – 2 copies]
1971 (30 Jun and 1 Jul)
1986 (2-4 and 6 Jul)
1987 (1 Jul)
1997 (3 Jul)
2021 (11-13 Aug)
Menus for the May Bumps Suppers. All include a printed list of crews and many are signed.:
1922, 1929
1932, 1938, 1939
1947
1956, 1957
1960, 1961, 1962, 1963, 1964, 1965, 1968, 1969
1970, 1971, 1973, 1974, 1975, 1977
1983 (2 copies, one with ribbon)
2008, 2011, 2016
Queen's College Boat Club May Races Dinner in Hall, 10 June 1967 - the menu is marked at the top ‘Reg Queens Boatman’ [Reg Pettit was the boatman for Queens and Magdalene for many years and the menu has many messages written thanking Reg from the students]
Programmes for the Lent Bumps which include a map of the course, an explanation of how the races work, list of crews in each division, and Bump chart starting orders:
1950 (22-25 Feb)
1952 (27 Feb - 1 Mar)
1953 (25-28 Feb)
1958 (26–1 Mar)
1960 (24-27 Feb) [2 copies]
1961 (1-4 Mar)
1964 (26-29 Feb)
1965 (24-27 Feb) [Lent Bumping Races]
1966 (23-26 Feb) [Lent Bumping Races]
1967 (1–4 Mar) [2 copies]
1968 (28-29 Feb and 1-2 Mar)
1973 (28 Feb - 3 Mar)
Programmes for the May Bumps which include a map of the course, an explanation of how the races work, list of crews in each division, and Bump chart starting orders:
1952 (4-7 June) [May Races]
1955 (8-11 June) [May Bumping Races]
1956 (6-9 June)
1957 (12-15 June)
1959 (10-13 June)
1960 (8-11 June)
1961 (7-10 June)
1962 (13-16 June)
1964 (10-13 June)
1967 (7-10 June)
1968 (5-8 June)
Orders of starting giving a list giving the order and names of the crews in each division - 7 June 1947 and 11 June 1949
This was the first exhibition in the Cripps Gallery. It chronicled the 1921 reconnaissance expedition to Everest through photographs lent by the Royal Geographical Society. George Mallory, an alumni of Magdalene, was part of the expedition.
File contains:
(1) A Poster for the exhibition
(2) A list of the photographs on display
(3) Captions for the items from the Archives that were displayed in the three exhibition cases plus photos of the cases
Fragile Planet - Watercolour Journeys into Wild Places.
This was a major exhibition of the watercolours of artist Tony Foster. The exhibition focused on five landscape areas - Rainforests, Water, Arctic, Deserts, and Cornwall - with accompanying key information about their plight.
The file contains of:
(1) A Poster for the exhibition (2 copies)
(2) A brochure of the exhibition (2 copies)
(3) A laminated list of the paintings on display (2 copies)
From Southwold to Alice Springs: Selected works from the Collection of Robert Cripps.
This exhibition showcased a small snapshot of the paintings, drawings and engravings acquired by Robert Cripps, reflecting both his deep roots in the countryside and coast of East Anglia and his championing of the indigenous art and artists of his adopted Australian home.
File contains:
(1) Poster of the exhibition (2 copies)
(2) Exhibition flyer (2 copies)
(3) Brochure (2 copies)
(4) Laminated list of exhibits
This exhibition was an important retrospective featuring the wide-ranging portfolio of Will Carter (one of Cambridge’s most respected and much-loved resident artists), including many examples of his calligraphy, letter carving, printing, and typefaces created for private clients and public commissions.
File contains:
(1) Poster for the exhibition
(2) Exhibition flyer (2 copies)
(3) Brochure (2 copies)
(4) List of exhibits (2 copies)
(5) Information on work in College - brass stall plate (Chapel); design for a plaque commemorating C. S. Lewis (Chapel); Sundial (Benson Court)
The exhibition also included a retrospective of the calligraphy of Dr Ronald Hyam. The file contains:
(1) A small poster
(2) List of exhibits (2 copies)
This was an exhibition of a selection of Ruth Rix’s more recent work from sixty years of painting, shown alongside prints by her mother Helga Michie, a Kindertransport refugee from Vienna.
File contains:
(1) Exhibition flyer
This exhibition commemorated Duncan Robinson who was a leading authority on British art from the eighteenth century onwards.
This exhibition showcased the work of Czech artist Jiří Kolář who worked across different media. He was a poet, writer, and translator who expanded the boundaries of modern art by deconstructing the printed image and word. In reassembling and constructing images in collage, he created often absurd commentaries on modern life and the turmoil he faced as a political dissident in Communist Czechoslovakia.
The file consists of:
(1) Poster for the exhibition
(2) Exhibition flyer (2 copies)
(3) Brochure (2 copies)
2023 marked the centenary of Cyril Fox's celebrated book The Archaeology of the Cambridge Region which was based on his Magdalene and Cambridge PhD of 1922. This seminal work introduced several innovations within archaeology, including the landscape perspective which has become a standard means of thinking and presenting the past in archaeology. In 1932 Fox wrote another important work called The Personality of Britain. Together these volumes emphasize the enduring relationship between archaeology, geography, landscape and environment.
The exhibition drew on these two volumes, alongside other materials, to look at two themes, Fox’s personality and the legacy of his research, both focused on his short, but important, Cambridge experience.
The file consists of:
(1) Poster for the exhibition
(2) Flyer for the exhibition [2 copies]
(3) Brochure
In conjunction with the Magdalene College Triennial Festival 2024: Perspectives a unique double exhibition of manuscripts was curated. Manuscripts from the collections showing medieval perspectives on the physical world, on other world, and on the creative potential of image and the word were displayed in the Pepys Library and Cripps Gallery.
The file consists of:
(1) Poster for the exhibition
(2) Flyer (2 copies)
(3) Captions
Exhibition to commemorate the centenary of the death on Everest of George Mallory using archival material to show Mallory as a student, soldier, husband, father, and mountaineer. In partnership with the artist Tony Foster.
The file consists of:
(1) Poster for the exhibition (2 copies)
(2) Invitation
(3) Exhibition booklet
(4) Exhibition boards
(5) Captions
Transcripts of 1924 letters and condolence letters
The file consists of:
(1) Exhibition booklet
The file consists of:
(1) Poster
(2) Flyer
(3) Exhibition booklet
(4) Booklet, Bunun Legends. Traditional stories from the mountains of Taiwan
The exhibition, which was inaugurated with a lecture by Professor Eamon Duffy, co-editor of a new annotated edition of Benson’s diary, illuminates Benson’s remarkable family background, the Edwardian literary scene in which he was a significant figure, and the academic world before, during and in the aftermath of the First World War.
The file consists of:
(1) Poster
(2) Flyer
(3) Exhibition guide
This exhibition introduces a selection of prints by three renowned contemporary artists and published by Paragon Press: Rachel Whiteread, Sir Grayson Perry and Sarah Morris. The works are connected through their portrayal of modernity and the consequences of the modernist dream. A small group of sculptures by Whiteread and ephemera from Perry will also be displayed.
The file consists of:
(1) Poster
(2) Flyer
An exhibition by Leipzig-based artist Annette Schröter (Meissen, Germany, 1956), co-curated and co-organised by Silke Mentchen, Magdalene College and Matthew Shaul, Director, Departure Lounge Contemporary Art.
Inspired in part by her origins near Colditz Castle in Germany and by the tales of wartime derring-do immortalised in the 1970s BBC TV series “Colditz”, Escape from Colditz is a contemplation on the theme of escape or escapism presented in a unique series of papercuts and collage.
The file consists of:
(1) Poster
(2) Flyer
(3) Exhibition guide
A Hayward Gallery Touring exhibition from Southbank Centre, London, One Day This Glass Will Break consists of twenty large-scale photogravures by Cornelia Parker from three experimental series.
The file consists of:
(1) Poster
(2) Flyer
Distributed finances to the College clubs and societies. Originally covered the finances of the College Boat, Cricket, Athletics, Rugby Union and Association Football, Hockey, and Lawn Tennis Clubs. Later the College Magazine and Reading Room were also included.
The Committee consisted of a Permanent Treasurer, an Honorary Secretary, with Assistant Secretary if necessary, and the Captain and Secretaries of the various clubs.
The Kingsley Club was founded as a literary club under the patronage of A.C. Benson in 1906. It was named after Charles Kingsley the novelist who had been an undergraduate at Magdalene from 1838-1842. It's declared object was 'the reading and discussion of papers dealing with literary, artistic and kindred subjects'. The club lapsed with the outbreak of the First World War and was re-established by Francis Turner in 1925. It foundered again with the outbreak of the Second World War in 1939 and was revived again by Turner in 1948 and enjoyed a more or less unbroken existence until Lent Term 1991. Membership was restricted and was by invitation. It was seen as 'the premier gathering of student intellectuals'.
Initially Minute Books listed the names of those present at meetings and the title of the paper given but soon became more of a summary of the paper and subsequent discussion. Amongst the Secretaries were George Mallory, Sir Michael Redgrave, and John Simpson.
In existence between 1919 and 1925.
This club was founded in 1862 although there were packs kept in Cambridge before this date which were the fore runners of the club.
In 1862 R. G. Hoare (Trinity College) brought his private pack of beagles to Cambridge and in 1867 W. E. Currey (Trinity College, Tutor) brought his beagles over from his home in Ireland. These two packs established beagling firmly in Cambridge.
According to The Trinity Foot Beagles 1862 – 1912 by F. Claude Kempson published in 1912 the Trinity Foot Beagles were a subscription pack managed by undergraduates and hunted in the countryside around Cambridge. There was no formal constitution, no committee, nor any meeting of the subscribers, nor a balance-sheet, nor any positive connection with Trinity College, although traditionally there are strong links with both Trinity and Magdalene Colleges. Any member of the University was welcome to join in as long as he paid a subscription.
Kempson credits William Edward Currey (Trinity College) as being the founder and Rowland Hunt (Magdalene College) as being co-founder.