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Born in 1653, the son of Anthony Millington of Shropshire

Admitted pensioner (age 15) at Magdalene on 26 June 1668
Matriculated in 1669
B.A. 1671/2
M.A. 1675
D.D. 1702

Fellow, 1674 until at least 1701
Taxor, 1691
Senior Proctor, 1700-1

Incorporated at Oxford, 1677

Ordained deacon (Ely) 18 September 1675; priest (London) 24 February 1677/8
Vicar of Fulbourn All Saints', Cambridgeshire, 1690
Vicar of Kensington, 1700-28
Prebend of St Paul's, 1703-28
Rector of Stoke Newington, Middlesex, 1705-28

In 1724 set up a trust to be presided over by Daniel Waterland and his successors, for two closed scholarships for boys from several Shrewsbury schools. He also provided for the establishment of a fellowship after the lapse of 40 years, to be funded by the proceeds from the sale of the timber from a newly planted woodland.

Millington’s brother, James was a successful draper in Shrewsbury, and he held a life interest in the properties which would generate the income of the scholarships, so the first scholars did not arrive until after his death in 1734.

Died on 25 March 1728

Fellow of Magdalene College, 1953-1983
Professor of Veterinary Clinical Studies, 1951-1963

Attended Bristol Grammar School
Trained in Chinese at Cambridge (1967), and at New Asia Research Institute, Hong Kong (1963)
1965-85 University Lecturer in Modern Chinese, at the University of Oxford
1985-89 Professor of Chinese at Cambridge
1989-2000 Shaw Professor of Chinese

Taught Chinese literature at Yale University, UC Berkeley, Beijing Normal University, and the Chinese University of Hong Kong
He was an Honorary Academy Member of the Chinese Academy of Social Sciences (1996)
He served as president of the European Association for Chinese Studies from 1998 to 2002
He was elected as a Fellow of the British Academy in 1984

Born in Rochester and educated at Repton School and Magdalene College, Cambridge

During World War II he was an assistant adjutant in the Rifle Brigade. After the war he worked for the Ford Motor Company

1952-55 Secretary to the Guildhall School of Music and Drama
1955 joined the Royal Opera House, Covent Garden
1960-70 assistant general administrator
1960-80 general administrator until 1980, when it was renamed general director
1988 retired

Born in 1779 in Bengal. Son of Charles Grant.

Admitted pensioner at Magdalene, aged 15 in 1795.

Craven Scholar, 1799; B.A. (3rd Wrangler) 1801; 2nd Chancellor's Medal, 1801; M.A. 1804.
Made a Fellow in 1802.
Called to the Bar, Lincoln's Inn, 30 January 1807.
King's Serjeant in the Court of the Duchy of Lancaster and one of the Commissioners of Bankrupts.
M.P. for Elgin Burghs, 1818; for Inverness Burghs, 1826; for Norwich, 1830 and 1831; for Finsbury, 1832.
Commissioner of Board of Control, 1830. P.C., 1831. In the House of Commons he persistently championed the movement for repealing the civil disabilities of Jews. Judge Advocate-General, 1832.
Served as Governor of Bombay, 1835-1838, in which capacity he brought Aden into the British Empire (1838: the first acquisition of Queen Victoria’s reign).
Knighted, 1834. K.C.H., 1834.

In 1829 he married Margaret, daughter of Sir David Davidson, of Cantray, Nairnshire, and had issue.
Well known as a hymn-writer. A book of sacred poems by him was published by his brother Charles, Lord Glenelg in 1839. ‘O worship the King’ has been adopted as ‘the College hymn’.
His Indian servants believed he was reborn as a cat.

Died 9 July 1838, at Dapoorie, India. Buried at Poona.

A volume of his sacred poems was published by his brother Charles (Lord Glenelg) in 1839:

Arms in Hall glass, W2. Memorial brass in Chapel.

An English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist.

Alasdair Rennie is an award winning artist who paints portraits, landscapes and still-life, he is an accomplished figurative sculptor and muralist.

An English painter of portraits and historical scenes. Briggs was born at Walworth, County Durham, the son of a post office official. His cousin was Amelia Opie (née Alderson), the wife of artist John Opie (whose portrait was later painted by Briggs). While still at school at Epping he sent two engravings to the Gentleman's Magazine and in 1811 entered as a student at the Royal Academy, London, where he began to exhibit in 1814. From that time onwards until his death he was a constant exhibitor at the annual exhibitions of the Academy, as well as the British Institution, his paintings being for the most part historical in subject. After his election as a Royal Academician (RA) in 1832 he devoted his attention almost exclusively to portraiture. Briggs died, of tuberculosis in London on 18 January 1844, aged 50/51.

Of Milanese Jewish descent, Limentani left fascist Italy in July 1939. He joined the Italian Dept of the University in 1945, and became the Professor of Italian, 1964-1982; he was particularly well-known for his work on Dante. He was a professorial Fellow of the College from 1964, and an Honorary Fellow in 1988. He was awarded the gold medal of the Italian Government for services to scholarship (1982). He gave a wonderful rendition of the Crowland grace before dinner.

Master of Magdalene College, 1813 - 1853

Third son of 2nd Baron Braybrooke, he assumed the name of Grenville in recognition of a legacy from a maternal uncle. Educated at Trinity College.

He was appointed Master by his father at the controversial age of 24. This made him ineligible on two accounts as the Master should be 30 years of age 'or thereabouts' and in Holy Orders. The first was ignored and the second was resolved when he was hastily ordained deacon and priest on the same day in Trinity College Chapel.

As a Master of a College he valued good breeding and gentlemanly behaviour and was addicted to genealogy and noble pedigrees. Academic activity was low on his list of priorities.

To provide more undergraduate rooms he moved out of First Court and into a separate new Lodge in 1835.
He was also responsible for starting a project to transcribe and publish Samuel Pepys' diary which had lain unread and virtually unknown in the library [see Cunich, P., Hoyle, D., Duffy, E., Hyam, R., A History of Magdalene College Cambridge, 1428-1988 pp. 195-199 and Latham, R. C. Pepys and his Editors (Occasional Paper no 6, 1992, p. 2) for further details]

Vice-Chancellor, 1818-1819
Dean of Windsor, 1846

Arms in Hall glass, E3. Memorial brass in Chapel.

Lord Thomas Audley’s son-in-law and successor, in virtue of his second marriage in 1558 to Margaret Audley, Thomas Audley’s daughter. A courtier and diplomat, who became probably the richest man in England, and who (fatally) planned to marry (as his fourth wife) Mary Queen of Scots. He was a benefactor to the College, though not to the extent promised (1564) in terms of funds and endowment, owing to imprisonment in 1568 and subsequent execution for treason. He made no appointment to the Mastership.

Anglo-Hungarian painter known particularly for his portraits of royal and aristocratic personages. In 1900, he married Lucy Guinness of Stillorgan, County Dublin, and he became a British subject in 1914

Irish artist, painter and designer. He was born in Dublin and studied architecture at the Bolton Street College of Technology. His painting style was strongly influenced by pop art. He is particularly well known for his hyperrealistic renderings of well known Irish literary, historical or establishment figures.

University Serena Professor of Italian (1929-1933), and formerly Professor of English at Naples. A stylish scholar, translator and poet, who died aged 46 from tuberculosis.
Made a Fellow in 1929.

‘Piccoli had it in him to be one of the dominant men of intellectual Europe – perhaps to bring English thought and feeling into that living touch with Europe (not Paris) we have so long needed’ (College Magazine vol. 70 (1933) pp.65-67).

‘By temperament he was a Neapolitan and he liked to explain his bold almost mask-like features – out of which the prominent mobile eyes piercingly, kindly, ironically, pensively, but always livingly, glanced – as proof of the survival of the ancient Numidian Mediterranean race, the race of Hannibal and Augustine’(College Magazine vol. 70 (1933) pp.65-67).

Prince Luigi Amedeo, Duke of the Abruzzi was an Italian mountaineer and explorer known for his Arctic explorations and for his mountaineering expeditions, particularly to Mount Saint Elias (Alaska–Yukon) and K2 (Pakistan–China). In 1906 he led an expedition to the Ruwenzori Range (5,125 m), in Uganda. He scaled sixteen summits in the range, including the six principal peaks. One of them, Mount Luigi di Savoia, bears his name. The highest peak was reached on 18 June 1906.

In 1909 he aimed to climb K2 in Karakoram and he and his team reached a height of 6,250 m. The standard route up the mountain (formerly known as K2's East Ridge) climbs today on the Abruzzi Spur.

In an attempt on Chogolisa he and his companions again failed to reach the summit, but set a world altitude record, a height of approximately 7,500 m (24,600 ft) before turning around just 150 m below the summit due to bad weather.

An old friend of George Mallory's, whom he had known since the climbing days at Pen y Pass in Wales.

A British portrait painter, landscape artist and print maker. Dodd was born in Holyhead, Anglesey, Wales, the son of a Wesleyan minister. He trained at the Glasgow School of Art. During World War I, in 1916, he was appointed an official war artist by Charles Masterman, the head of the War Propaganda Bureau, WPB. Serving on the Western Front, he produced more than 30 portraits of senior military figures.

Educated at St Paul's and matriculated from Trinity College in 1905.
He came to Magdalene to teach history (his main field being sixteenth-century economic history) and was elected a Fellow in 1910.
He was a Tutor from 1927 to 1945 and President of the College from 1951 to 1957.
Appointed University Lecturer in History in 1926.

Unsuccessfully contested the Cambridge constituency seat as a Liberal in the 1924 Election. Warden of Madingley Hall, 1954 - 1961.

Obituary: College Magazine, No. 12, 1967-68 pp. 2-6 (F. McD C Turner)

Educated at Christ's Hospital. Matriculated in 1940. Awarded BA (English) starred First in 1946, PhD; Bye-Fellow 1948, Fellow 1950, College Lecturer in English 1954; Tutor 1958–1974; sometime Precentor, Librarian, and President (1983–88).
University Lecturer in English 1954, Reader in English & Musical History 1974, Professor of Medieval & Renaissance English 1978–1988. Chairman of the Plainsong & Medieval Music Society 1988–1995.

Obituary: College Magazine, vol. 46 (2001-02) pp. 18-22 (S. Barrington-Ward)

An undergraduate at St John’s College, Cambridge, who matriculated in 1817. Smith was invited by the Master of Magdalane College to transcribe Samuel Pepys's diary in readiness for publication - a task which he commenced in 1819 and completed in 1822. A clergyman by profession, Smith became Rector of Baldock in 1832 and continued there until his death in 1870.

In the College Magazine
Photograph - a much later photograph (full length and bearded) as frontispiece - this photograph was presented to the College, but is now lost, College Magazine, No. 52 (1926) pp. 65-66

Latham, R. C. Pepys and His Editors (Occasional Paper No. 6, 1992) p. 2.

A successful British landscape and portrait painter who served as a war artist during World War II. Carr was born in Leeds and trained at Leeds College of Art and the Royal College of Art, under William Rothenstein. During World War I, he served in France with the Royal Field Artillery. After the war his work was exhibited at the Royal Academy in 1921, in other British galleries and in Paris. He painted portraits of, among others, Aldous Huxley and Olivia Davis and landscapes of the English south coast.

London line and mezzotint engraver, exhibited at the RA from 1864 to 1905.

Matriculated in 1866 and took his degree in Classics in 1870. In 1871 he obtained a second class in the Theological Tripos.

Archdeacon of Port Elizabeth, South Africa, having taken up a post in Grahamstown in 1873; canon of Grahamstown Cathedral, 1899; royal chaplain; on active service during the Boer War. Author of many books including Storm and Sunshine in South Africa: with some Personal and Historical Reminiscences

College Magazine
Obituary: College Magazine, No. 26, December 1917

Visitor of Magdalene College, 1572-1626

Grandson of Lord Audley. Member of St John's College.
Visitor, 1572–1626. Six masters were appointed during his visitorship, but the earlier appointments were made by Lord Burghley while Howard was a minor; however Barnaby Goche, 1640, was his own choice.
Lord Lieutenant of Cambridgeshire, 1598–1626.
High Steward and then Chancellor of the University, 1615.
Served as Lord Chamberlain to James I, 1602–1613
Created 1st Earl of Suffolk 1603.

Although a prolific portrait engraver over a number of decades, little is known of Robert Cooper. His first recorded work as an engraver was for the Biographical Magazine in 1795. He went on to contribute extensively to the periodical press, producing prints for, among others, La Belle Assemblée; or, Bell’s Court and Fashionable Magazine, the Gentleman's Magazine, European Magazine, Dramatic Magazine, and Evangelical Magazine. The most significant books to feature his work include Cawthorn's Modern British Theatre series, Edmond Lodge's series of Portraits of Illustrious Personages of Great Britain, Tresham's and Ottley's British Gallery of Pictures (1808), Chamberlaine's edition of Holbein drawings (1812), the Culloden Papers (1815), Memoirs of the Kit-Cat Club (1821), and Colburn's edition of Pepys's Diary (1825). His last recorded engraving dates from 1826, but, according to Samuel Redgrave, he was still living in 1836. He is probably identical with the 'R. Cooper' who exhibited miniature portraits at the Royal Academy between 1793 and 1799.

South African painter who has exhibited extensively in South African and abroad specialising in landscapes and portraits (including portraits of Nobel laureates Nelson Mandela and FW De Klerk and concert pianist Vladimir Horowitz) in a photo-realist style. More recently he describes his work as falling into what he terms a "narrative genre" where paintings are often part of a series (usually three to six) of chronological scenes. He has exhibited at the Slater Memorial Museum (Connecticut) and the Everard Read Gallery (Johannesburg).

Educated at Queens’ College Cambridge (double starred first in History). University Reader in History, Royal Holloway College, London (1942-1968), Professor of History, University of Toronto (1968-1969), Research Fellow of Magdalene College (1970-1972), Official Fellow and Pepys Librarian (1972-1982), Honorary Fellow (1984).
Editor of the definitive edition of The Diary of Samuel Pepys, 11 vols (1970-1983).

College Magazine
Obituary by R. Luckett, College Magazine, No. 39 (1994-95) pp. 3-6

Educated at the Central School (later the Grammar School for Boys, now part of Netherhall School). Apprenticed as a carpenter. For many years he worked in the College while employed by the local builders Nunn, acquiring an unrivalled knowledge of the College buildings and infrastructure from 1958, before formally being employed by the College Maintenance Department from 1971, where he remained (long after the retiring age) part-time from 1978 until 1991, at one time acting as Clerk of Works.
He brought ingenuity and dexterity to the solution of a variety of problems throughout this time.

College Magazine
Obituay in College Magazine vol. 43 (1998-99) p. 24