Showing 1151 results

Ruth Turner was born on 10 June 1892 and was the daughter of Hugh Thackeray Turner (a prosperous architect) and his wife May. She lived at Westbrook, an elegant house on the far side of the Wey Valley, with her two sisters Marjorie and Mildred. Her mother died in 1907.

She first met George Mallory at a dinner in the Autumn of 1913 at the house of Arthur Clutton-Brock, a lawyer and writer who lived in Hindhead Road not far from Charterhouse School where George was teaching. They met socially several times over the next few months and in March 1914 Thackeray Turner invited George to accompany him and his daughters on a trip to Italy. George and Ruth fell in love during the week long’s holiday and became engaged. They married on 29 July 1914 and had three children:

Clare (1915-2001) who married Glenn Millikan (Glen died in a climbing accident in Tennessee in 1947)
Beridge (1917-1953) who married David Robertson
John (1920-present) who married Jenifer Krohn (climbed Mount Everest in 1995).

After George's death she and the three children moved back to Westbrook to live with her father. When he died in 1937 Westbrook was sold and Ruth lived with a cousin.

In 1939 she married her friend Will Arnold-Forster after the death of his wife.

She died of cancer in 1942. Her daughter, Berry Robertson, also died of the disease in 1953.

Portraitist and landscape painter with works in government and regional art collections (Ipswich and Hertfordshire).
Richard Evelyn Fuller Maitland was the son of the art collector and Liberal politician William Fuller Maitland (1884–1932), of Stansted Hall, Essex. William Maitland had inherited from his own father an important collection of early Italian paintings, nine of which he sold to the National Gallery, London, in 1878, including The Mystic Nativity by Sandro Botticelli. Educated at Harrow School, Richard Maitland went on to study at Sir Hubert Herkomer’s Art School, Bushey, Hertfordshire. He also pursued a part-time military career, gaining the rank of captain in the Scots Guards. Essentially a gentleman-artist, Maitland exhibited twice at the Royal Academy, in 1904 and in 1921, when he showed a portrait of a judge, Edwin Max Konstam. His known oeuvre is small and includes A Mediterranean Scene (Bushey Museum and Art Gallery, 2004.108.1), a portrait of Sir Frederick Liddell, First Parliamentary Counsel, dated 1913 (Government Art Collection, no. 1203) and two portraits of senior members of the Admiralty. Also in 1913, Magdalene College, Cambridge, commissioned a sketch from Maitland of Thomas Hardy, then aged seventy-two.

Painter and draughtsman, born in Brighton, Sussex. Studied at Brighton School of Art, 1918–20, where he had a scholarship. Horton was a man of strong radical convictions, and because he was an absolute conscientious objector he had to endure two years’ hard labour in Carlton Prison, Edinburgh, 1916–18, during World War I. From 1916–18 was at Central School of Arts and Crafts under A S Hartrick and Ernest Jackson, then with a Royal Exhibition attended Royal College of Art, under Randolph Schwabe and Allan Gwynne-Jones, 1922–5. Horton went on to teach at the Royal College, 1930–49, where he was a highly respected figure, becoming Ruskin Master of Drawing at Oxford University, 1949. Taught voluntarily at the Working Men’s College, London, for a time.

He studied Fine Arts at the Westminster School of Art. During World War II, he was commissioned in the Intelligence Corps and joined the diplomatic service as an Attaché de Presse in the British embassies of Baghdad and Cairo. He resigned in 1948 to become a full-time portrait painter and in 1949 had his first one-man show in London and exhibited at the Royal Academy. A period of global travelling was followed by ten years painting in the United States (New York and Washington D.C.) His exhibition at the Washington gallery was opened by the then British Ambassador, the Earl of Cromer, formerly Governor of the Bank of England. In the early 1960s, he spent time in Cambridge doing portraits of college luminaries and also for local families. After he returned to England in 1976, Robert Tollast divided his time among Switzerland, France (Paris) and Italy (Milan and Florence) and Austria (Vienna) with occasional visits to Germany. During long visits to South Africa, he painted three generations of the Oppenheimer family, among other prominent figures in industry. The list of Tollast's most interesting portrait commissions includes clients internationally prominent in the arts, sciences, industry and politics, of which one of the most notable is that of Sir Winston Churchill. This was the last official portrait, of which the sitter — notoriously difficult over portraits of himself — went on record to express his approval.
Robert Tollast's most recent important commission was to paint, in oil, all the partners of the partners of the Geneva private bank Lombard Odier & Cie. He also works in water-colour and pastel and is a notably successful painter of children. At the time of his death, Tollast was royal court painter to the Habsburg family of Austria.

A French sculptor best known for his Art Nouveau bronze depictions of historic figures like Mozart and Gaelic warriors, scenes from Greek mythology, rustic peasants in Tunisia, and pedigreed animals. Born in 1865 in France, he studied with his father the famed sculptor Jean Didier Début, who specialized in more traditionally realistic figurative work, as well as under Henri Michel Antoine Chapu, a renowned sculptor of bronze and marble, at the École des Beaux-Arts. Début began exhibiting both as a painter and sculptor at the Salon of 1883 up until the start of World War I, when the Salon was suspended. The artist died in 1933 in France. 

Rupert Brooke studied Classics at King's College, Cambridge between 1906 and 1909 where he met and became friends with Hugh Dalton. He became involved in various Cambridge groups, and was widely acknowledged as a handsome and charismatic figure about the university. He was a member of the Fabian Society and the Marlowe Dramatic Society both of which George Mallory was also a member.

Born in 1956, Andrew Ingamells trained at St.Albans School of Art and the London College of Printing before embarking on a career as a graphic designer and illustrator. It was during this time that he started making drawings of individual buildings and architectural landscapes of London.

In 1987 he was invited to Clarendon Graphics, the print studio set up by Anthony Benjamin, to make aquatint etchings from some of his achitectural drawings. So began his love affair with a traditional printing method that has barely changed in centuries, continuing a tradition of neo classical draughtsmanship made popular by Piranesi.

Andrew has worked in close collaboration with master printmakers Pete Kosowicz and Simon Marsh, and with fine art print publisher Martin Village.

He has exhibited at many London venues over the years including CCA Galleries, The Grosvenor Gallery, The Curwen Gallery and The Royal Academy. His work is held in corporate and public collections including the Tate Gallery, HRH the Prince of Wales, English Heritage, The National Trust, The Paul Mellon Centre for British Art, Shell Oil and the City of London Guildhall Library who put on a retrospective exhibition of his work.

Notable works have included the Basilica San Marco in Venice, the Duomo di Firenze, Jefferson’s Monticello in Virginia and every one of Nicholas Hawksmoor's seven London Churches.

Andrew is currently working on a series of topographic line-plate etchings of the Oxford and Cambridge colleges, a project which has not been undertaken so seriously or comprehensively since the engravings of David Loggan's Cantabrigia Illustrata of the 1680s. He has also begun a series of studies of Ivy League universities in the United States and has recently completed studies of the three Inns of Court in London.

A French sculptor best known for his bronze-cast figurines. His allegorical Art Nouveau works often depicted women, children, cherubs, and historical figures adorned with floral motifs and ornaments, and were influential to other artists working at the time. Born in Dijon, France in 1855 to a celebrated family of sculptors, including his father, Auguste Moreau, he went on to regularly exhibit his work at the Paris Salon from 1861 on. The artist died in 1919 in France.

M. Charny (late 19th/early 20th century) was active/lived in France.  M. Charny is known for Sculpture.

Henry Etienne Dumaige (1830-1888) is a French sculptor born in Paris in 1830, died in Saint-Gilles-Croix-de-Vie in 1888. He is the student of Jean Feuchère and Christophe Dumont. He exhibited at the Salon of French Artists from 1863 to 1886. He exhibited including The Golden Age , a plaster group at the Salon of 1863, then 1864; Hero to that of 1866 and Patrie , bronze group at the Salon of 1886. Dumaige is rewarded with a second medal in 1880. For the foundry Houdebine, participating in Exposition Universelle of 1878 in Paris, he composes two caryatids-women-flares, but he also works for other founders.
Among other things, he made statues for the Hôtel de Ville in Paris, then the one representing Rabelais , a marble for the City of Tours.

An Italian Renaissance sculptor from Florence. Della Robbia is noted for his colourful, tin-glazed terracotta statuary, a technique which he invented.

A noted Austrian black-and-white portrait photographer. Meitner-Graf moved to England with her family in 1937, opening her own studio at 23 Old Bond Street in London in 1953. Frisch, in his Times obituary, noted that there "can be few educated people who have not seen one of Lotte Meitner-Graf’s photographic portraits, either on a book jacket (for instance, Bertrand Russell’s autobiography, or Antony Hopkins’s Music All Around Me) or on a record sleeve or concert programme." She photographed Albert Schweitzer, musicians Marion Anderson, Otto Klemperer and Yehudi Menuhin; actors John Gielgud and Danny Kaye; and scientists Lord Blackett, William Lawrence Bragg, Dorothy Hodgkin, and Max Perutz.

Eldest son of the 2nd Baron Braybroke. Educated at Eton and Christ Church, Oxford. Made Honorary Doctor of Civil Law in 1810.
Matriculated and graduated at Magdalene in 1811.
Between 1805 and 1825 he was successively MP for Thirsk, Saltash, Buckingham and Berkshire. He succeeded his father as 3rd Baron in 1825, and removed from Billingbear, the family seat of the Nevilles, near Wokingham, to Audley End, which had been left to his father by his distant relative, Lord Howard de Walden. Was the Recorder of Saffron Walden and High Steward of Wokingham.

Author, President of the Camden Society (1853-1858), and first Editor of the Pepys Diary (1825). As Visitor, he appointed his fourth son, Latimer Neville, as Master in 1853.

Son of the physician who first diagnosed Bright’s disease.

He matriculated from Magdalene College in 1835. Hebraist. The proctors resigned after his defence of an offending undergraduate, and their resignation was accepted by the Senate after a long discussion.
c. 1843 elected Fellow
1851 - 1872 Tutor
1853 - 1873 President of Magdalene College.

From middle-life, his mobility was impaired and he was confined to a sofa. He spent much of his time making a new transcription of the Pepys Diary of which he was the second editor. He was paralysed from 1880, having retired to London in 1873.

His benefaction to the College made possible the erection of Bright’s Building (1909).

Arms in Hall glass, W1.

Painter, who had some repute as a history painter in the reign of Charles II. In early life he went to the West Indies, and narrowly escaped death by poisoning. He returned to England, and was much employed, although 'his Genius was so impair'd by that Attempt on his Life, that his latter Works fail'd of their usual Perfection.' He was considered a rival of Isaac Fuller. He drew in the Academy that then existed, and latterly was scene painter to the play-house in Covent Garden. Some plates in R. Blome's 'History of the Old and New Testament' are probably from his designs. It is not known when he died, but he can hardly have lived till 1747, and be identical with the I. Freeman who drew the large view of 'The Trial of Lord Lovat in Westminster Hall.'

Born in Holland, John Faber came to London in around 1687 and began engraving portraits shortly thereafter. By 1707, he had established a shop near the Savoy in the Strand where he printed and published his own work. Among his more famous mezzotints are portraits of the founders of both Oxford and Cambridge, a set of the heads of the twelve Caesars and twenty-one portraits of the Reformers. Faber's work is noteworthy because he was one of the few mezzotint engravers who often both designed and engraved his plates. His son, John Faber, also became a portrait engraver.

Does not appear to be the more famous Henry Holzer who retired in 1968 from blindness.

Master of Magdalene College, 1979-1985

Educated at University College, Oxford, and Harvard. Scientific Officer, Research and Experiments Dept, Ministry of Home Security, 1941-1945.
Made a Fellow of Magdalene College in 1945 and was Bursar between 1947 and 1949.
Professor of Mechanical Engineering, University of Leeds, 1949-1955
Professor of Applied Science, Imperial College of Science and Technology, University of London, 1955-1960
Vice-Chancellor and Warden, University of Durham, 1960-1978
Chairman of the Committee of UK Vice-Chancellors and Principals, 1967-1970
Chairman of the Royal Fine Art Commission, 1980-1985

Honorary Fellow of Magdalene College, 1969-1978 and 1985-2000. One of the College’s most distinguished Masters.
Opened the new campus of the University of Malta.

In the College Magazine
Article: 'Sir Derman Christopherson - A Welcome' by W. Elkan, College Magazine, vol. 22 (1977-78) pp. 4-7

Article: 'Sir Derman Christopherson: Tribute' by J. E. Stevens, College Magazine, vol. 29 (1984-85), pp. 1-3

Obituary by R. Hyam College Magazine, vol. 45 (2000-01) pp. 8-13

Matriculated in 1849, as Fellow-Commoner: a graduate of University College, London, he was refused admission at Trinity, Christ’s and one other College, but after the intervention of the Prince Consort as Chancellor, he was admitted to Magdalene, with dispensations as to Chapel attendance. He was the first professing Jew to become a graduate of the University.

5th Wrangler (not being Senior Wrangler rankled for the rest of his life). President of the Union, 1853.

A commercial lawyer (Inner Temple), specialising in insurance cases, but also keenly interested in International Law, as well as Mathematics and Philosophy. Counsel to the University, 1879, and to the secretary of state for India, 1893; Liberal MP for Southwark, 1880-1887 (which precluded acceptance of a judgeship).

Honorary Fellow, 1885 (one of the first; not 1883 as usually stated). ‘A great lawyer… for the argument of a question of law before an appellate tribunal he had few equals’ (ODNB). Major player in the Alabama arbitration.

Silver candlesticks presented in his memory by his nephew.

Arms in Hall glass, E1.

Obituary, College Magazine No. 17 (1914), pp. 328-330

An English portrait painter, engraver and sculptor, best known for his portraits of the British royal family. He was elected a member of the Royal Society of Portrait Painters in 1948 and served as their president from 1979 to 1983. Elected as an Associate Member to the Royal Academy of Arts in 1954, Hepple became an Academician in 1961

An English artist and satirical cartoonist, comics artist, sculptor, medal designer and illustrator. He is perhaps best remembered as the creator of St Trinian's School and for his collaboration with Geoffrey Willans on the Molesworth series.

Dr Alexander Kellas was a member of the 1921 British Mount Everest Expedition. He died en route to Mount Everest.

Kellas was born on 21 June 1868 in Aberdeen, the son of James Fowler Kellas, secretary to the local marine board, and his wife, Mary Boyd. He was educated at Aberdeen grammar school and then attended Aberdeen University, Heriot-Watt College in Edinburgh, and Heidelberg University, where he gained a PhD. He was keenly interested in chemistry and even more enthusiastic for mountaineering. The two interests combined to make him pre-eminent for a time in the field of high-altitude physiology. He was able to combine research at low pressure in the laboratory with practical studies at altitude in the Himalayas.

Kellas had a great love for wild mountain places. He was not given to technical climbing but was supremely interested in mountain geography and exploration, in the course of which he reached numerous unclimbed Himalayan summits. He began mountaineering in the Cairngorms while a student at Aberdeen University.

In his late thirties Kellas made his first visit to the Himalayas. He made six expeditions to Sikkim from 1907 to 1920. He did a phenomenal amount of climbing and yet very little is known about him because he was of a retiring nature and wrote very little of his achievements. Unusual in that he generally climbed without European companions, he was accompanied by an ever loyal group of local porters whom he trained in the basic alpine skills. He possessed phenomenal energy and tenacity.

During the First World War, Kellas channelled his energies into high-altitude research and the effect of diminished atmospheric pressure on human physiology, a subject of great importance to the Air Ministry.

In 1919 Kellas suffered a breakdown in health from overwork, resigned his lectureship in London, and returned to Aberdeen. He recovered the following year and set out again for the Himalayas to carry out more experiments at altitude on himself and his high-altitude porters. He reached a height of 23,622 ft on Kamet. After several months in the Garhwal he travelled over to Sikkim, where in November 1920 he climbed north of the Kang La to obtain photographs of the peaks north of Everest that were then unknown.

Kellas returned to the Kang La region in April 1921 and climbed a higher peak to see more of Everest's north side. He then climbed Narsingh (19,110 ft) before turning his attention to working out a way through the icefall on Kabru. He had time to reach only 21,000 ft. He returned to Darjeeling just one week before he was to join the first expedition to Mount Everest, led by Charles Kenneth Howard-Bury.

Kellas was chosen to be a member of the climbing team of four at the age of 53. He had far more experience of high-altitude climbing than any contemporary. He had alone built up a good rapport with the Sherpa Bhotias hill men and, by emphasising the importance of adequate training and of treating them with respect, had shown their value to any mountaineering enterprise.

After only a week of rest from his attempts to see more of the Everest region and his prolonged work on Kabru, Kellas had no time to recuperate properly for the rigours of the Tibetan plateau. He went down with dysentery and had to be carried on a stretcher. Just before Kampa Dzong the accumulated strain of his spring climbing, the biting cold of the plateau, and rampant dysentery overtaxed his heart. He died, on 5 June 1921, among his faithful porters, as he had insisted his countrymen went on ahead.

Kellas was buried on a hillside to the south of Kampa Dzong in sight of the peaks of Sikkim, where he had made so many first ascents.

In 1919 Sir Francis Younghusband was elected President of the Royal Geographical Society, and two years later became Chairman of the Mount Everest Committee which was set up to coordinate the initial 1921 British Reconnaissance Expedition to Mount Everest. He actively encouraged George Mallory to attempt the first ascent of Mount Everest. Younghusband remained Chairman through the subsequent 1922 and 1924 British Expeditions.

Nicholas Ferrar was a merchant in London. He is the most senior figure in the line of the Ferrar family whose papers were left to Magdalene College, Cambridge.

Brigadier Sir Edward Oliver Wheeler was a Canadian surveyor, mountain climber and soldier. Wheeler participated in the first expedition to Mount Everest in 1921. He was an accomplished mountain climber and on the 1921 expedition was one of the team to reach the 7000 metre North Col. As a Brigadier in the British Army he was appointed Surveyor General of India in 1941. He was knighted for the work he did surveying India.

Born in 1779 in Bengal. Son of Charles Grant.

Admitted pensioner at Magdalene, aged 15 in 1795.

Craven Scholar, 1799; B.A. (3rd Wrangler) 1801; 2nd Chancellor's Medal, 1801; M.A. 1804.
Made a Fellow in 1802.
Called to the Bar, Lincoln's Inn, 30 January 1807.
King's Serjeant in the Court of the Duchy of Lancaster and one of the Commissioners of Bankrupts.
M.P. for Elgin Burghs, 1818; for Inverness Burghs, 1826; for Norwich, 1830 and 1831; for Finsbury, 1832.
Commissioner of Board of Control, 1830. P.C., 1831. In the House of Commons he persistently championed the movement for repealing the civil disabilities of Jews. Judge Advocate-General, 1832.
Served as Governor of Bombay, 1835-1838, in which capacity he brought Aden into the British Empire (1838: the first acquisition of Queen Victoria’s reign).
Knighted, 1834. K.C.H., 1834.

In 1829 he married Margaret, daughter of Sir David Davidson, of Cantray, Nairnshire, and had issue.
Well known as a hymn-writer. A book of sacred poems by him was published by his brother Charles, Lord Glenelg in 1839. ‘O worship the King’ has been adopted as ‘the College hymn’.
His Indian servants believed he was reborn as a cat.

Died 9 July 1838, at Dapoorie, India. Buried at Poona.

A volume of his sacred poems was published by his brother Charles (Lord Glenelg) in 1839:

Arms in Hall glass, W2. Memorial brass in Chapel.