Belgian lithographer.
The main British firm of chromolithographic printers. William Day (1797-1845) set up the firm in c. 1824. From c. 1831 traded as Day & Haghe (Louis Haghe, 1806-1885). Haghe left to devote himself to watercolour in the 1850s, where after the firm continued as Day & Son under William Day the younger (1823-1906), also referred to as WJ Day.
Photographers
Ruth Turner was born on 10 June 1892 and was the daughter of Hugh Thackeray Turner (a prosperous architect) and his wife May. She lived at Westbrook, an elegant house on the far side of the Wey Valley, with her two sisters Marjorie and Mildred. Her mother died in 1907.
She first met George Mallory at a dinner in the Autumn of 1913 at the house of Arthur Clutton-Brock, a lawyer and writer who lived in Hindhead Road not far from Charterhouse School where George was teaching. They met socially several times over the next few months and in March 1914 Thackeray Turner invited George to accompany him and his daughters on a trip to Italy. George and Ruth fell in love during the week long’s holiday and became engaged. They married on 29 July 1914 and had three children:
Clare (1915-2001) who married Glenn Millikan (Glen died in a climbing accident in Tennessee in 1947)
Beridge (1917-1953) who married David Robertson
John (1920-present) who married Jenifer Krohn (climbed Mount Everest in 1995).
After George's death she and the three children moved back to Westbrook to live with her father. When he died in 1937 Westbrook was sold and Ruth lived with a cousin.
In 1939 she married her friend Will Arnold-Forster after the death of his wife.
She died of cancer in 1942. Her daughter, Berry Robertson, also died of the disease in 1953.
Portraitist and landscape painter with works in government and regional art collections (Ipswich and Hertfordshire).
Richard Evelyn Fuller Maitland was the son of the art collector and Liberal politician William Fuller Maitland (1884–1932), of Stansted Hall, Essex. William Maitland had inherited from his own father an important collection of early Italian paintings, nine of which he sold to the National Gallery, London, in 1878, including The Mystic Nativity by Sandro Botticelli. Educated at Harrow School, Richard Maitland went on to study at Sir Hubert Herkomer’s Art School, Bushey, Hertfordshire. He also pursued a part-time military career, gaining the rank of captain in the Scots Guards. Essentially a gentleman-artist, Maitland exhibited twice at the Royal Academy, in 1904 and in 1921, when he showed a portrait of a judge, Edwin Max Konstam. His known oeuvre is small and includes A Mediterranean Scene (Bushey Museum and Art Gallery, 2004.108.1), a portrait of Sir Frederick Liddell, First Parliamentary Counsel, dated 1913 (Government Art Collection, no. 1203) and two portraits of senior members of the Admiralty. Also in 1913, Magdalene College, Cambridge, commissioned a sketch from Maitland of Thomas Hardy, then aged seventy-two.
Painter and draughtsman, born in Brighton, Sussex. Studied at Brighton School of Art, 1918–20, where he had a scholarship. Horton was a man of strong radical convictions, and because he was an absolute conscientious objector he had to endure two years’ hard labour in Carlton Prison, Edinburgh, 1916–18, during World War I. From 1916–18 was at Central School of Arts and Crafts under A S Hartrick and Ernest Jackson, then with a Royal Exhibition attended Royal College of Art, under Randolph Schwabe and Allan Gwynne-Jones, 1922–5. Horton went on to teach at the Royal College, 1930–49, where he was a highly respected figure, becoming Ruskin Master of Drawing at Oxford University, 1949. Taught voluntarily at the Working Men’s College, London, for a time.
He studied Fine Arts at the Westminster School of Art. During World War II, he was commissioned in the Intelligence Corps and joined the diplomatic service as an Attaché de Presse in the British embassies of Baghdad and Cairo. He resigned in 1948 to become a full-time portrait painter and in 1949 had his first one-man show in London and exhibited at the Royal Academy. A period of global travelling was followed by ten years painting in the United States (New York and Washington D.C.) His exhibition at the Washington gallery was opened by the then British Ambassador, the Earl of Cromer, formerly Governor of the Bank of England. In the early 1960s, he spent time in Cambridge doing portraits of college luminaries and also for local families. After he returned to England in 1976, Robert Tollast divided his time among Switzerland, France (Paris) and Italy (Milan and Florence) and Austria (Vienna) with occasional visits to Germany. During long visits to South Africa, he painted three generations of the Oppenheimer family, among other prominent figures in industry. The list of Tollast's most interesting portrait commissions includes clients internationally prominent in the arts, sciences, industry and politics, of which one of the most notable is that of Sir Winston Churchill. This was the last official portrait, of which the sitter — notoriously difficult over portraits of himself — went on record to express his approval.
Robert Tollast's most recent important commission was to paint, in oil, all the partners of the partners of the Geneva private bank Lombard Odier & Cie. He also works in water-colour and pastel and is a notably successful painter of children. At the time of his death, Tollast was royal court painter to the Habsburg family of Austria.