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A painter who was one of the five sons of Thomas Forbes Walmisley (1783–1866), a London-born organist, composer and ‘Professor of Music’, who also had at least two daughters.
Walmisley trained at the Royal Academy schools and according to Redgrave’s dictionary was also a pupil of H. P. Briggs. Redgrave also says that he ‘became paralysed in his legs early in life’ and that his works ‘were very mannered from want of power to study’. He nonetheless exhibited 21 at the Academy between 1838 and 1868, 18 at the British Institution between 1841 and its closure in 1867 and 16/17 at the Society of British Artists (SBA) during 1840–1872. The majority were landscapes and subject paintings, the latter often derived from literature and drama but the first five at the Academy (to 1841) were portraits.

Walmisley appears not to have married, and lived with his father and his two unmarried sisters. From some point before 1840 this was at 18 Cowley Street, Westminster, but probably from 1843 until 1846 he was in Rome. According to Graves’s Royal Academy listings, a Roman view he sent home in 1843/1844 was noted as ‘painted on the spot’ when submitted for the 1844 Academy show by his father. In the 1844 catalogue itself, his Rome address is given as Café Graeco and, in 1845, Via di Capo le Cose. From then on, Italian subjects from Venice to the Naples area predominate in his exhibition record, including after his return to London in 1847.

In about 1864 he and his father moved to 19 Earl’s Court Gardens, Brompton. His father died there aged 84 in 1866, leaving an estate of under £1,500, Frederick being executor. He died at St John’s Wood on 25th December 1875, aged 60.

Two of Walmisley’s brothers were organists. The eldest, Thomas Attwood Walmisley (1814–1856), became Professor of Music at Cambridge University in 1836. The other was Henry (1830–1857), an organist in London. Frederick’s portraits of them both were lent by their civil engineer brother, Arthur Thomas Walmisley (1847–1923), to the Victorian Era Exhibition of 1897 at Earl’s Court. The fifth brother, Horatio (1827–1905), became a clergyman. Frederick is also recorded in published RIBA papers for 1868–1869 to have done a ‘remarkably good portrait in oil’ of the architect Arthur Ashpitel, ‘representing him sitting and sketching’, of unknown date. (Ashpitel also studied in Rome from 1853.)

While Walmisley was only baptised Frederick (on 26th May 1815 at St Mary, Newington, Surrey) some contemporary and later printed references call him ‘F. W.’ or ‘Frederick W.’ which is seemingly an error.

Mentioned by George Mallory in letters to his wife Ruth Mallory in 1923.

Engraver to the Duke of Clarence (afterwards William IV).

Engraver of portraits, genre scenes and animals. One of the leading pointillist and mezzotint engravers of his day.

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He has been a professional portrait painter for more than forty years, working in Oxford, Toulouse, and London. His portraits can be found in many Oxford and Cambridge colleges, the Ashmolean Museum in Oxford, and the National Portrait Gallery in London. His portrait of Sir Peter Strawson was featured in the Guardian, Wednesday February 15 2006. He regularly exhibits with the Royal Portrait Society and has held one man exhibitions in London, Oxford, Toulouse, Strasbourg, Paris and Lisbon.

Matriculated in 1753; Senior Wrangler, 1757; Fellow, 1758-1776.

At the age of 24 he was elected Lucasian Professor of Mathematics, 1760-1798.
Fellow of the Royal Society, 1763 – Copley medallist.

Although a qualified (if nervous) physician, he abandoned medicine for mathematics and became ‘Magdalene’s greatest mathematical don. In his prime he was the most famous mathematician in England…lonely, disturbed, isolated…a mathematical genius’ (Dr S. Martin). He wrote ‘one of the most abstruse books written on the abstrusest parts of Algebra’, which made his name famous throughout Europe.

Admitted to Trinity College in 1819 and migrated to Magdalene in May 1822. Fellow, 1823-1832. Vicar of Shobdon, Hereford, 1847-1854. Archdeacon of Salop, 1851-1877. Canon of Hereford, 1870-1877.

Master of Magdalene College, 1713-1740

Matriculated in 1699, aged 16. Became a Fellow in 1704;. Served as Vice-Chancellor, 1715-1716. He was an influential theologian; Royal Chaplain, and Archdeacon of Middlesex, 1730. He refused the Bishopric of Llandaff. He was author of many learned works (ed. Van Mildert, 6 vols). ‘Few names, recorded in the annals of the Church of England, stand so high in the estimation of its most sound and intelligent members, as that of Dr Waterland… this distinguished writer’ (Van Mildert, vol 1, p. 1).

College Magazine
Article: ‘Student counselling, eighteenth-century style’ by Ged Martin, College Magazine, No. 26 (1981-82) pp. 45-49
Article by Eamon Duffy, College Magazine, No. 33 (1988-89) pp. 22-26

From 1830, Lady of the bedchamber to the queen dowager Adelaide.

In 1827 he became professor of sculpture at the Royal Academy, a post he held until his death. During his forty-year career he created about 275 works and early on distinguished himself as a leading sculptor of civic and national monuments.

Wheatstone made several important contributions numerous branches of science, such as optics. However, his name has been most closely connected with the electric telegraph.

Brigadier Sir Edward Oliver Wheeler was a Canadian surveyor, mountain climber and soldier. Wheeler participated in the first expedition to Mount Everest in 1921. He was an accomplished mountain climber and on the 1921 expedition was one of the team to reach the 7000 metre North Col. As a Brigadier in the British Army he was appointed Surveyor General of India in 1941. He was knighted for the work he did surveying India.