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Wife of Frederick VIII, Duke of Schleswig-Holstein-Sonderburg-Augustenburg; daughter of Ernst, 4th Prince of Hohenlohe-Langenburg.

Father of Prince Albert, husband of Queen Victoria.

Arthur Guy Lee known informally as Guy Lee, was a British Classical scholar and poet. He was particularly notable as a Latinist for his work on the Roman poets Ovid, Propertius, and Catullus; he also translated Virgil's Eclogues, Tibullus, and Persius.

He was an undergraduate at St John's College, Cambridge. He taught at the University of Cambridge for most of his career, where he was admitted as a Fellow of St John's in 1946.

In the Second World War, he joined the British military, and was posted in Iceland, where he learned Icelandic and earned a military award for his work on ciphers. He was later posted to French North Africa, Belgium, Italy, Norway, and Germany.

He returned to Cambridge after the war and served as a librarian, tutor, praelector, and lecturer of classics at various times.

He died in Cambridge in 2005, and is buried at Ascension Parish Burial Ground.

Derek Pepys Whiteley was born in 1906, the son of Gerard Tarver Whiteley and the Hon. Amy Theresa Pepys. He was educated at Sherborne and King's College, and was called to the Bar from the Middle Temple in 1931. He became senior legal assistant in the Treasury Solicitor's Department, retiring in 1957; and from 1959 to 1970 was Assistant Pepys Librarian. An expert on Victorian art history, he wrote a life of George du Maurier, and articles for DNB.

Fellow and President of Magdalene College.

English clergyman, principal Cambridge University librarian (Protobibliothecarius), antiquary, draughtsman and gifted amateur artist. He created one of the first catalogue raisonnés (for the works of the artist Marten van Heemskerck). An antiquary who collected ancient Roman coins and published papers on architecture, sepulchres and coffins. In 1816, he bought and restored the Leper Chapel in Cambridge. Has been described as 'one of the most distinguished but least loved Fellows of the College'.

Article: 'Portrait of a Magdalene Artist: Thomas Kerrich', by D. Robinson College Magazine vol. 47 (2002-03) pp. 53-64

Daughter of James Griffin, 2nd Baron Griffin of Braybrooke, sister and co-heir of Edward, 3rd Baron Griffin of Braybrooke. She was a direct descendant of Lord Audley.
Her first marriage was to her cousin Henry Neville/Grey; her second in 1741 to John Wallop, MP (1690-1762), governor of the Isle of Wight, 1st Earl of Portsmouth (his second wife).
She secured the Mastership for her husband’s grandon, Barton Wallop; and meanwhile placed George Sandby in office under bond to resign when Barton Wallop was of age – the resignation duly took place in 1774.
Died without issue; the visitorship then passed to her nephew, Sir John Griffin Whitwell, later 1st Baron Braybrooke.

Educated at Pembroke College. Lecturer in Natural Sciences at Magdalene, and University Demonstrator in Chemistry, from 1931. Made a Fellow in 1938.
Research on chemical warfare during the war, working on various ‘ nerve gases’; and after the war a regional scientific adviser on Civil Defence.
Director of Studies in Natural Sciences and Medicine, 1931-1973. Praelector or Deputy Praelector, 1949-1978. President, 1967-1973. Senior Proctor, 1943-1944.

In his honour rice pudding can always be requested at Magdalene as it was the only thing he could stomach after his wartime experiments.

Further reading:
Obituary: College Magazine No. 28 (1983–84) pp. 1-3 (P. J. Grubb)
Article: 'The Chemistry of B. C. Saunders', College Magazine, No. 56 (2011–12), p. 64-68

Master of Magdalene College, 1967-1978

Educated at Trinity College, and Fellow of Trinity, 1931-1933, 1946-1950 (University Lecturer in Classics, 1947). Published an extremely successful translation of Plato’s Symposium (1951). Head Master of Westminster School (1950-1957) and of Rugby (1957-1966); chairman of the Headmasters’ Conference. Honorary Fellow , 1978.

‘Not so hearty as Willink, not so pedagogic as Ramsay, not so melancholy as Benson, and not so teetotal as Donaldson’ – Lord Ramsey, on Hamilton’s retirement (College Magazine 22 (1977-78) p 2). What most people remember is his baleful humour.

Further reading:
College Magazine vol. 22 (1977-78) pp. 2-4 (D. W. Babbage)
Obituary College Magazine vol. 32 (1987-88) pp. 11-16 (R. Hyam)
College Magazine* vol. 36 (1991-92) pp. 59-61 (review by R. Luckett)

Painter notable for perceptive portraits and subtle landscapes, stage designer, exhibition organiser and writer, brother of the artist John Hill. He was born Arthur Derek Hill in Bassett, Hampshire. Was educated at Marlborough College, then studied stage design in Munich, Paris and Vienna, 1933–5, and began life drawing. Although he designed sets and costumes for the ballet The Lord of Burleigh at Sadler’s Wells in 1937, in Paris a year later he chose to paint rather than pursue designing. During World War II he worked on a farm in England, painting spare-time. Contributed articles to Penguin New Writing, New Statesman and other magazines. The 1940s and 1950s were busy years for Hill, for he had a first solo show at Nicholson Gallery, 1943; designed for Il Trovatore at Covent Garden, 1947; painted in Ireland and Italy, where he was encouraged by the critic Bernard Berenson; organised the Degas exhibition at Edinburgh Festival, 1952; had a series of shows at Leicester Galleries; and was art director of the British School in Rome, 1953–4, and 1957–8.

Matriculated 1764; 3rd Wrangler, 1768 and Chancellor’s Medalist. Fellow and Tutor, 1782, but later apparently a non-resident Fellow, who was primarily an author. Apart from publishing studies on civil liberties, gaming and duelling, suicide, happiness (a reply to Tom Paine’s Rights of Man), Egyptian mummification, and the promotion of Christianity in India, he also wrote a tragedy, The Captive Monarch in 1794, and a novel, Edington in 1796).
His younger brother Samuel was President of the College, 1778-1786, but is not the subject of a College portrait.

Scottish painter and printmaker, notable for illustrating the works of Bunyan, Coleridge and Kipling. Strang was born at Dumbarton, the son of Peter Strang, a builder, and was educated at the Dumbarton Academy. For fifteen months after leaving school he worked in the counting-house of a firm of shipbuilders, then in 1875, when he was sixteen, went to London. There he studied art under Alphonse Legros at the Slade School for six years. Strang had great success as an etcher and became assistant master in the etching class. He was one of the founding members of the Royal Society of Painter-Etchers, and his work was part of its first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines.

Educated at Trinity College. Fellow of Magdalene, 1818; President and senior Fellow, 1829-1836; Tutor, 1821-1826, 1831-1832; Senior Proctor, 1833-1834. University Librarian, 1822; elected sole Principal Librarian – Protobibliothecarius – in succession to Thomas Kerrich in 1828, a post he held until 1845.
In 1836 there was a dispute with the College about his continued combination of the Presidency with the University Librarianship (which his predecessor Kerrich had not done), and he vacated his Fellowship to take up the College living of Anderby. ‘Lodge had shown more energy, more understanding and more willingness to work at the Librarianship than almost any of his predecessors for nearly two centuries’ (McKitterick, pp. 506-507).

Arms in Hall glass, W2.

A painter who was one of the five sons of Thomas Forbes Walmisley (1783–1866), a London-born organist, composer and ‘Professor of Music’, who also had at least two daughters.
Walmisley trained at the Royal Academy schools and according to Redgrave’s dictionary was also a pupil of H. P. Briggs. Redgrave also says that he ‘became paralysed in his legs early in life’ and that his works ‘were very mannered from want of power to study’. He nonetheless exhibited 21 at the Academy between 1838 and 1868, 18 at the British Institution between 1841 and its closure in 1867 and 16/17 at the Society of British Artists (SBA) during 1840–1872. The majority were landscapes and subject paintings, the latter often derived from literature and drama but the first five at the Academy (to 1841) were portraits.

Walmisley appears not to have married, and lived with his father and his two unmarried sisters. From some point before 1840 this was at 18 Cowley Street, Westminster, but probably from 1843 until 1846 he was in Rome. According to Graves’s Royal Academy listings, a Roman view he sent home in 1843/1844 was noted as ‘painted on the spot’ when submitted for the 1844 Academy show by his father. In the 1844 catalogue itself, his Rome address is given as Café Graeco and, in 1845, Via di Capo le Cose. From then on, Italian subjects from Venice to the Naples area predominate in his exhibition record, including after his return to London in 1847.

In about 1864 he and his father moved to 19 Earl’s Court Gardens, Brompton. His father died there aged 84 in 1866, leaving an estate of under £1,500, Frederick being executor. He died at St John’s Wood on 25th December 1875, aged 60.

Two of Walmisley’s brothers were organists. The eldest, Thomas Attwood Walmisley (1814–1856), became Professor of Music at Cambridge University in 1836. The other was Henry (1830–1857), an organist in London. Frederick’s portraits of them both were lent by their civil engineer brother, Arthur Thomas Walmisley (1847–1923), to the Victorian Era Exhibition of 1897 at Earl’s Court. The fifth brother, Horatio (1827–1905), became a clergyman. Frederick is also recorded in published RIBA papers for 1868–1869 to have done a ‘remarkably good portrait in oil’ of the architect Arthur Ashpitel, ‘representing him sitting and sketching’, of unknown date. (Ashpitel also studied in Rome from 1853.)

While Walmisley was only baptised Frederick (on 26th May 1815 at St Mary, Newington, Surrey) some contemporary and later printed references call him ‘F. W.’ or ‘Frederick W.’ which is seemingly an error.

Matriculated in 1834. Made a Fellow in 1841. Called to the Irish Bar in 1844; QC 1865; Lord Chief Justice of Ireland, 1877-1887, and Lord Justice of Appeal (1878); he narrowly avoided having to try his fellow Old Member, C. S. Parnell, in the case of conspiracy against the payment of rent in 1880-1881 but having dismissed a motion for the postponement of the trial, he was accused of partiality, and did not sit. ‘A learned, painstaking and impartial judge’ (DNB).

Arms in Hall glass, E1.

Matriculated at Magdalene College in 1848. Held a travelling Fellowship from 1854. Made a Foundation Fellow in 1877.
Fellow of the Royal Society, 1870; Royal Medal 1900.
An ornithologist who was the first Professor of Zoology and Comparative Anatomy, 1866-1907.
Lived in Old Lodge as a conservative eccentric; however, he was also a world leading pioneer in environmental conservation. British Ornithologists’ Union founded in 1858 from Old Lodge. Sponsor of the first sea-bird protection act in 1868.

Master of Magdalene College, 1781-1797

Educated at Corpus Christi College, Oxford in the late 1730s where he was a young tearaway, repeatedly in trouble for being drunk, even during divine service, which he often skipped. A major transformation in his character must later have taken place, perhaps due to his service as an Army Chaplain.
He lost his left arm 'when very young' the result of 'the unexpected going off of his companion's gun'. He was skilful in concealing the injury.

Married Martha Ferrar in 1755.
Vice-Chancellor, 1784-1785.
Dean of Peterborough, 1792-1797.
The first Anglican sermons against the slave trade were preached by Peckard in the College Chapel, leading to courageous and galvanic sermons in Great St Mary’s in 1783 and 1784, and to the prize essay which inspired Thomas Clarkson's campaign. Peckard was also a notable benefactor to the College.

Memorial brass in the Old Library.

College Mgazine:
Article: 'Peter Peckard', College Magazine, No. 1, 1956-57, pp.15-23
Article: 'The Peckard Bicentenary', College Magazine, vol. 42, 1997-98, pp. 29-31

Martha Peckard was a published poet in her day. Her Ode to Spring and Ode to Cynthia were featured in the periodicals The Gentleman's Magazine and The Weekly Magazine, or Edinburgh Amusement. She was the eldest daughter of Edward Ferrar, a lawyer in Huntingdonshire, and she married Peter Peckard in 1755. She ensured the safe transfer of the Ferrar Papers and Peckard's personal library to Magdalene College upon Peckard's death.

Elizabeth de St Michel was born at Bideford, Devon, on 23 October 1640. She was the daughter of Alexandre le Marchant de St Michel and Dorothea Fleetwood. The family lived in Devon, where Dorothea had inherited land. They later lost this property and subsequently travelled between Germany, Flanders, and Ireland. Dorothea, along with Elizabeth and her brother Balthasar, fled to Paris after their fortunes had been undermined by Alexandre's increasingly determined religious views. Her mother intended that Elizabeth should become a nun, and she was briefly placed in the city's Ursuline convent before she and Balty were removed to London by their father.

It was in London that Elizabeth met Samuel Pepys, then in the employ of Edward Mountagu, later first earl of Sandwich. Details of the circumstances of their meeting remain unknown, though it is evident, given that neither party stood to gain financially from the union, that theirs was a love match. The couple were married at a civil service at St Margaret's, Westminster, on 1 December 1655, when Elizabeth, described as being of St Martin-in-the-Fields, was aged fifteen and Samuel twenty-two. By the time of this service the couple had apparently already 'married' in an unrecorded religious ceremony which took place on 10 October, the date Pepys identified as their anniversary during his years of diary keeping.

The early months of their marriage were characterised by antagonism and argument. The cramped conditions of his attic apartment at Whitehall Palace exacerbated both Elizabeth's irritation at the prosaic nature of married life and Samuel's jealousy and sexual frustration which derived, in part, from his own and his wife's recurrent ill health. Within a year of their marriage Elizabeth left her husband to stay with her family at Charing Cross returning to Whitehall in December 1657. In August of the following year the couple left for a house in Axe Yard, Westminster, where they stayed until July 1660 before moving to the Navy Office at Seething Lane.

By this date Pepys had begun a diary, which he maintained daily until six months before his wife's death. Pepys never named her in his journal but referred to 'his wife'.

Elizabeth gained additional leisure time as her husband's career, and salary, improved over the decade. She also enjoyed more freedom than many women of her status on account of the marriage remaining childless.

In June 1669 Elizabeth accompanied her husband and brother on a tour of northern France and the Netherlands. Here she contracted the fever, probably typhoid, which developed during their return journey and from which, aged twenty-nine, she died at Seething Lane on 10 November.

Percy Farrar was born in 1857 in Chatteris, Cambridgeshire. He was President of the Alpine Club between 1917-1919 and was an original member of the Mount Everest Committee (a joint body composed of Alpine Club and Royal Geographical Society members that was set up to co-ordinate the reconnaissance of the approaches to and possible routes up Mount Everest in 1921). He had been party to the discussions that led to this body's formation and proposing the mountain as an achievable mountaineering objective Farrar's role was, amongst other things, to raise funds for the expedition. He was the one who successfully proposed that George Mallory, to whom he had been introduced at one of Geoffrey Winthrop Young's parties at Pen-y-Pass in 1909, should go on the initial 1921 expedition.