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Maltese lithographer and painter. Settled in London in 1809.

Stephen Gaselee was born in Brunswick Gardens, Kensington, London, the elder son of Henry Gaselee (1842–1926), fellow of King's College, Cambridge, and his wife, Alice Esther. His great-grandfather was Sir Stephen Gaselee, justice of the court of common pleas.

He was educated at Eton College and King's College, Cambridge (matriculated 1901). He obtained a first class in part 1 of the classical tripos (1904) and a second class in part 2 (1905). He left Cambridge in that year and, as tutor to Prince Leopold of Battenberg (later Lord Leopold Mountbatten) and travelled widely. He returned to Cambridge in 1907 and was editor of the Cambridge Review.

Between 1908 and 1919 he was Pepys librarian at Magdalene College, and became a Fellow in 1909 (which he held for 4 years).

In 1916 Gaselee entered the Foreign Office and was rewarded for this war service in 1918 by appointment as CBE. By Michaelmas term 1919 he was back in Cambridge.
On 1 January 1920 he was made librarian and keeper of the papers at the Foreign Office. He was appointed KCMG in 1935, and served the crown until his death.

In 1917 he married May Evely. They had three daughters.

He had a large number of interests he was a Latinist, Coptologist, medievalist, palaeographer, liturgiologist, and hagiographer. In 1932 he was president of the Bibliographical Society and from 1928 honorary librarian of the Athenaeum.

In 1934 he presented to the Cambridge University Library 300 early printed books, to which he subsequently added his rare and large collection of early sixteenth-century books and his Petroniana.

He died at his home in London on 16 June 1943.

Arms in Hall glass, W1.

Alice Gaselee (née Frost) was the mother of Sir Stephen Gaselee, Pepys Librarian.

Educated at Eton and Magdalene College. While still an undergraduate, his show 'Share my lettuce' was performed in the West End (1957-1958); meanwhile he took a double first in the English Tripos. He might have then become a Research Fellow, but instead went to Yale as a Commonwealth Fund Fellow (1958-1959). Author, theatre-critic, broadcaster; and publisher of scholarly editions of nineteenth-century prints; best known as TV presenter of 'University Challenge', 1962-1987. Sandars Reader in Bibliography, Cambridge, 1993-1994. Honorary Fellow, 1996. Co-founder and editor-in-chief of 'www.historyworld.net' (2000).

College Magazine
Obituary by James Raven, College Magazine, No. 66 (2021-22), pp. 20-25

Matric 1926. Despite six generations of engineers behind him (Garrett Engines of Leiston, Suffolk), he took up Botany, and married Jane Perkins from the rival firm in Peterborough. After research work in Adelaide, London and Rothamsted, Berks, he returned to Cambridge in 1949, becoming Reader in Mycology in 1961 and Professor in 1971. He became a Fellow in 1962, one of two elections (the other was Dr R V Short in Physiology) made to meet the recommendations of the Bridges Report about increasing the number of College fellowships for those with University posts. Garrett was an adventurous eater of fungus species, but never made a mistake.

1926 she went to St Hilda's College, Oxford, and in 1929 obtained First Class Honours in English language and literature.

1929 -1931 accepted a temporary post at the University of Birmingham.
1931-1934 worked as an assistant lecturer at the Royal Holloway College, London before returning to Birmingham where she joined the English department (1934–41).

In 1941 she returned to Oxford to become a tutor (1941–54), and later Fellow (1942–66), at her old college.

In 1954 she was made reader in Renaissance studies and after one set-back was elected in 1966 Merton professor of English language and literature, with a fellowship at Lady Margaret Hall. The distinction of being the first woman to hold this chair gave her special satisfaction. She exerted herself as a supervisor and was as successful as she was strict.

To her Oxford DLitt (1963) and Cambridge honorary LittD (1981) she added honorary degrees from eight other universities.
She was appointed CBE in 1962 and a DBE in 1967.
She was made a Fellow of the British Academy in 1958, twice won the Crawshay prize (1952 and 1980), and was made a Fellow of the Royal Society of Literature in 1962.

In person Helen Gardner was small and sturdy. Vivacious, temperamental, and occasionally overbearing, she appreciated good food and drink, liked to dress well, and revelled in parties where she talked well but, as she herself knew, too much. She was kinder in her actions than in her wit.

She retired in 1975 and died, unmarried, on 4 June 1986 in a nursing home at Bicester, Oxfordshire.

Walter Gardiner was a botanist. He was a Fellow and Bursar of Clare College.

Writer of novels and non-fiction.

Mentioned by George Mallory.

Gandhi, Mohandas Karamchand [known as Mahatma Gandhi] (1869–1948), political leader and religious and social reformer, was born in Porbandar, Kathiawar, western India, on 2 October 1869, to Karamchand Uttamchand Gandhi and his fourth wife, Putlibai: he was the youngest of the one daughter and three sons of the marriage.

Portraitist and landscape painter with works in government and regional art collections (Ipswich and Hertfordshire).
Richard Evelyn Fuller Maitland was the son of the art collector and Liberal politician William Fuller Maitland (1884–1932), of Stansted Hall, Essex. William Maitland had inherited from his own father an important collection of early Italian paintings, nine of which he sold to the National Gallery, London, in 1878, including The Mystic Nativity by Sandro Botticelli. Educated at Harrow School, Richard Maitland went on to study at Sir Hubert Herkomer’s Art School, Bushey, Hertfordshire. He also pursued a part-time military career, gaining the rank of captain in the Scots Guards. Essentially a gentleman-artist, Maitland exhibited twice at the Royal Academy, in 1904 and in 1921, when he showed a portrait of a judge, Edwin Max Konstam. His known oeuvre is small and includes A Mediterranean Scene (Bushey Museum and Art Gallery, 2004.108.1), a portrait of Sir Frederick Liddell, First Parliamentary Counsel, dated 1913 (Government Art Collection, no. 1203) and two portraits of senior members of the Admiralty. Also in 1913, Magdalene College, Cambridge, commissioned a sketch from Maitland of Thomas Hardy, then aged seventy-two.

One of the first engravers to experiment with steel plates.

British portrait painter and etcher. Freeth was born in Birmingham and attended the Birmingham College of Art and, between 1936 and 1939, studied at the British School in Rome. From 1936 onwards, Freeth exhibited regularly at the Royal Academy, the Royal Watercolour Society and elsewhere.

During World War Two, Freeth served in the Middle East as an official war artist to the Royal Air Force. The War Artists' Advisory Committee commissioned two lithographs from Freeth. During the War, he also worked on the Recording Britain project.

Freeth was one of the first artists to make the people of the Black Country the main subject of his work, as other artists placed greater emphasis on representing the industrial landscape. Freeth won the prestigious Prix de Rome in engraving in 1936 and 1937, for his series of Black Country images. After the war, the National Coal Board commissioned Freeth to produce works about mine-workers due to the success of his representation of the people of the Black Country.

Freeth was elected to the Royal Academy in 1965 and taught at St Martin's School of Art and the Central School of Art in London.

British engraver and charter member of the Artists' Benevolent Fund, involved in the creation of a mutual assurance society for artists who were not members of the Royal Academy.

Painter, who had some repute as a history painter in the reign of Charles II. In early life he went to the West Indies, and narrowly escaped death by poisoning. He returned to England, and was much employed, although 'his Genius was so impair'd by that Attempt on his Life, that his latter Works fail'd of their usual Perfection.' He was considered a rival of Isaac Fuller. He drew in the Academy that then existed, and latterly was scene painter to the play-house in Covent Garden. Some plates in R. Blome's 'History of the Old and New Testament' are probably from his designs. It is not known when he died, but he can hardly have lived till 1747, and be identical with the I. Freeman who drew the large view of 'The Trial of Lord Lovat in Westminster Hall.'

King of Prussia (1840–61). Son and successor of Frederick William III. He granted a constitution in response to the Revolutions of 1848, but later amended it to eliminate popular influence. He refused the crown of Germany (1849) because it was offered by the Frankfurt Parliament, a democratic assembly. From 1858, the future Emperor William I ruled as regent.

The first monthly issue of Fraser's Magazine for Town and Country appeared in February 1830.