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Michael Keall was born in Putney and was educated as a Chorister at King's College School, 1940-1945, at Culford School, and at King's College, Cambridge (1951-1954) where he took the Historical Tripos and a Certificate in Education.
National Service (2nd Lt, Royal Artillery), 1950-1951.
Assistant Master at King's College School, 1955-1957 and at Bedford School, 1957-1962.
Headmaster at the Junior School, Portsmouth GS, 1962-1969 and at Eastbourne College Preparatory School, 1969-1977.
Headmaster of Westminster Abbey Choir School, 1977-1987.
Junior Bursar of Magdalene College, 1989-1994.
Alumni Secretary, 1999-2012.
Fellow-Commoner, 1989-2019.

Michael took a warm interest in the student body and knew many students personally. He was interested in all student activities but in particular, he took a special interest in College music and sports, compiling the list of College Blues and Half Blues for publication in the College Magazine each year. His memory for and eager interest in every individual he met, his wide range of interests, from rugby to choral music, his unobtrusive but profound kindness, his unruffled enthusiasm and good humour, all this and more made him universally loved.

Obituary: College Magazine, No. 64 (2019-2020), PP. 29-35.

French painter and lithographer.

Son of the Rev. Francis Jourdain (Pembroke College, Oxford), of Ashbourne vicarage, Derbyshire.
School - Derby.

Admitted as a Pensioner (age 18) on 1 August 1889.
Prizeman; Scholar, 1891; B.A. 1892.
Kept a school at Clifton, near Ashbourne in Derbyshire.
Served in the Great War, 1914-19 (Capt., R. Fusiliers; Staff Capt., War Office; wounded; Brevet-Major; mentioned in Secretary of State's List for "valuable services").

Of Charlynch, near Bridgwater in Somerset.

Died on 31 July 1942, in Newquay, Cornwall.

English painter of portraits of Dutch or Flemish parentage. He was active in England, from at least 1618 to 1643, when he moved to Middelburg in the Netherlands to escape the English Civil War. Between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he died. Johnson painted many portraits of emerging new English gentry. His early portraits were panel paintings with "fictive" oval frames. His works can be found in major collections in the UK and overseas as well as in private collections in stately homes in Britain. He was an accomplished portrait painter, but lacked the flair of a master such as Van Dyck.

Stearn and Sons took rowing photographs until 1970 when they joined with Eaden Lilley who then took over taking these photos. Jet Photographic then took up the work where Eaden Lilley left off. Please contact the proprietor is you need a copy of any photograph (https://jetphotographic.com)

German lithographer, trained in Berlin. Noted portraits include Friedrich Wilhelm IV on horseback.

Hugh Thackery Turner (Ruth Mallory's father) worked with Gertrude Jekyll to design the Philips Memorial Cloister on the riverside in Godalming, commemorating the bravery of Jack Philips, a hero on board the Titanic in 1912.

Born in Paddington, London, the son of Ernest Jay, a character actor, and Catherine. He was educated at St Paul's School and Magdalene College, Cambridge, graduating with first-class honours in Classics and comparative philology. With Jonathan Lynn, he co-wrote the British political comedies Yes Minister and Yes, Prime Minister (1980–88). He was knighted in the 1988 New Years Honours.

Belgian civil servant, diplomat and liberal parliamentarian.

Father and son publishers of the same name, the father b. in Cologne, and active in Paris from 1608-c.1666, the son c.1623-1694, who continued the business. Their products are impossible to distinguish, and are catalogued here under the one name.

Nephew of Samuel Pepys, younger son of Pepys’s sister Paulina (‘Pall’) who married John Jackson, a Huntingdonshire farmer in 1668.
Admitted pensioner aged 14, 28 June 1686 and matriculated in 1687 (BA 1690).
Clerk and amanuensis to Pepys; European tour, 1699-1701, partly to find additions for Pepys’s collection.
Heir to the greater part of Pepys’s wealth, with charge, for his lifetime, of the Library; drew up the final recension of the catalogue and arranged for the reception of the Library in Magdalene, which took place upon his death (hence the date 1724 on the Pepys Building).

Essayist and poet, one of the first American authors to achieve international fame.