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Gregoire trained under the celebrated sculptor Jean Jules Salmson at the Ecole des Beaux-Arts and his work was first exhibited at the Paris Salon in 1867. His bronze sculptures were often classical in nature and commonly took war and music as their themes, typical of the Academic style in which he was trained.

An Italian sculptor presumed to have been from Volterra. From 1883 to 1885, he studied at Accademia di Belle Arti di Firenze and spent most of his career in Florence, Italy. He was skilled in sculpting both marble and alabaster and most often produced female nudes, usually smaller than life-size figures. His female nudes featured highly polished skin and emphasized the curves of hips and waistlines.

Born in Le Mans, in Sarthe, on 16 January 1847, and was adopted by the painter Charles Suan. He lived during a certain period in Montmartre, and died in Le Mans on 11 December 1925. He studied at the École des Beaux-Arts of Paris, and was a pupil of François Jouffroy. He realized medaillons and statuettes, in plaster, marble or bronze. He exhibited at the Salon, as early as 1872, and until 1909, and became a member of the Société des Artistes Français.

Vincent-Désire Faure de Brousse (1843 to 1908 Montpellier Paris) was a French sculptor. He was a student of Hugo Salmson in Paris and presented from 1876 - 1883 at the Paris Salon. Faure de Brousse was an exceptionally talented artist who specialised in bronze, figurative sculptures, crafted in the Italian Renaissance style. He was well-respected as a sculptor, and was regularly selected to exhibit at the Salon in Paris in the late 19th Century.

Born in Holland, John Faber came to London in around 1687 and began engraving portraits shortly thereafter. By 1707, he had established a shop near the Savoy in the Strand where he printed and published his own work. Among his more famous mezzotints are portraits of the founders of both Oxford and Cambridge, a set of the heads of the twelve Caesars and twenty-one portraits of the Reformers. Faber's work is noteworthy because he was one of the few mezzotint engravers who often both designed and engraved his plates. His son, John Faber, also became a portrait engraver.

Italian sculptor whose success was a product of his lifelike and original interpretation of form when Italian sculpture was deteriorating into a mannered imitation of the works of Antonio Canova. Dupré was the son of a carver in wood. Tuscan. He had a museum in Fiesole, but this is now closed.

Lowes Cato Dickinson was an English portrait painter and Christian socialist. He taught drawing with John Ruskin and Dante Gabriel Rossetti. He was a founder of the Working Men's College in London.

Alwyn Faber Scholfield was educated at Eton College and then studied Classics at King's College Cambridge. After graduating, he travelled and taught for a year at Eton. He worked in Cambridge University Library on classical and early printed books in 1911–12 and in 1913 he went to Calcutta as keeper of the records of the Government of India and officiating librarian of the Imperial Library, Calcutta. From 1919 to 1923 he was librarian at Trinity College, Cambridge. He was elected librarian of the University of Cambridge in 1923, and held that post until 1949. During his tenure he supervised the removal of the library from Old Schools to its current site and managed it on restricted resources during the Second World War.

Henry Etienne Dumaige (1830-1888) is a French sculptor born in Paris in 1830, died in Saint-Gilles-Croix-de-Vie in 1888. He is the student of Jean Feuchère and Christophe Dumont. He exhibited at the Salon of French Artists from 1863 to 1886. He exhibited including The Golden Age , a plaster group at the Salon of 1863, then 1864; Hero to that of 1866 and Patrie , bronze group at the Salon of 1886. Dumaige is rewarded with a second medal in 1880. For the foundry Houdebine, participating in Exposition Universelle of 1878 in Paris, he composes two caryatids-women-flares, but he also works for other founders.
Among other things, he made statues for the Hôtel de Ville in Paris, then the one representing Rabelais , a marble for the City of Tours.

Portraitist and landscape painter with works in government and regional art collections (Ipswich and Hertfordshire).
Richard Evelyn Fuller Maitland was the son of the art collector and Liberal politician William Fuller Maitland (1884–1932), of Stansted Hall, Essex. William Maitland had inherited from his own father an important collection of early Italian paintings, nine of which he sold to the National Gallery, London, in 1878, including The Mystic Nativity by Sandro Botticelli. Educated at Harrow School, Richard Maitland went on to study at Sir Hubert Herkomer’s Art School, Bushey, Hertfordshire. He also pursued a part-time military career, gaining the rank of captain in the Scots Guards. Essentially a gentleman-artist, Maitland exhibited twice at the Royal Academy, in 1904 and in 1921, when he showed a portrait of a judge, Edwin Max Konstam. His known oeuvre is small and includes A Mediterranean Scene (Bushey Museum and Art Gallery, 2004.108.1), a portrait of Sir Frederick Liddell, First Parliamentary Counsel, dated 1913 (Government Art Collection, no. 1203) and two portraits of senior members of the Admiralty. Also in 1913, Magdalene College, Cambridge, commissioned a sketch from Maitland of Thomas Hardy, then aged seventy-two.

He studied Fine Arts at the Westminster School of Art. During World War II, he was commissioned in the Intelligence Corps and joined the diplomatic service as an Attaché de Presse in the British embassies of Baghdad and Cairo. He resigned in 1948 to become a full-time portrait painter and in 1949 had his first one-man show in London and exhibited at the Royal Academy. A period of global travelling was followed by ten years painting in the United States (New York and Washington D.C.) His exhibition at the Washington gallery was opened by the then British Ambassador, the Earl of Cromer, formerly Governor of the Bank of England. In the early 1960s, he spent time in Cambridge doing portraits of college luminaries and also for local families. After he returned to England in 1976, Robert Tollast divided his time among Switzerland, France (Paris) and Italy (Milan and Florence) and Austria (Vienna) with occasional visits to Germany. During long visits to South Africa, he painted three generations of the Oppenheimer family, among other prominent figures in industry. The list of Tollast's most interesting portrait commissions includes clients internationally prominent in the arts, sciences, industry and politics, of which one of the most notable is that of Sir Winston Churchill. This was the last official portrait, of which the sitter — notoriously difficult over portraits of himself — went on record to express his approval.
Robert Tollast's most recent important commission was to paint, in oil, all the partners of the partners of the Geneva private bank Lombard Odier & Cie. He also works in water-colour and pastel and is a notably successful painter of children. At the time of his death, Tollast was royal court painter to the Habsburg family of Austria.