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M. Charny (late 19th/early 20th century) was active/lived in France.  M. Charny is known for Sculpture.

She married Edward Montagu MP (1625-1672), a cousin of Pepys, in 1642; he was created Earl of Sandwich in 1660; naval commander, and Pepys’s first patron. They had seven sons and two daughters. Part of Pepys’s inner circle: ‘her unfailing kindness to Pepys makes her one of the most attractive figures in the diary’ (Latham).

Lodge, Sir Oliver Joseph (1851–1940), physicist

Mentioned by George Mallory in letters to his wife Ruth Mallory in 1923.

Karma Paul was a interpreter on the 1922 and 1924 British Mount Everest Expeditions, mentioned by name by George Mallory.

Among the climbers of the 1924 Third British Expedition to Everest Karma Paul had perhaps one of the least glamorous but most important jobs. He wasn't a climber, he never summited Everest, but as the group's translator his job was vital in communicating with the native Himalayan people and with the group's own Sherpa.

Karma Paul was fluent in Nepali, English and Tibetan and would serve as the translator for all the British expeditions from 1922 to 1938. Aside from his work as interpreter Paul also served as a recruiter and all-around moderator between the expedition and the native people.

Following the death of Sherpa Shamsher Pun from a likely blood clot on the brain, Paul was dispatched to the Rongbuk Monastery to see if the Sherpas, who were suffering low spirits following the death of young Pun, might be blessed by the head Lama there. The Lama agreed and invited the entire expedition to the monastery where he blessed them all and declared that they had been forced back by demons who would not do so again.

Following his career on Everest, Paul trained himself to be a skilled auto mechanic and in the 1950s won a small fortune at the horse races. He retired to Darjeeling.

Headmaster at Eton College, mountaineer, and climbing friend of George Mallory.

Friend of George Mallory, born in Ireland, wife of Brigadier Walter Headfort Brooke.

Mentioned by George Mallory.

Gandhi, Mohandas Karamchand [known as Mahatma Gandhi] (1869–1948), political leader and religious and social reformer, was born in Porbandar, Kathiawar, western India, on 2 October 1869, to Karamchand Uttamchand Gandhi and his fourth wife, Putlibai: he was the youngest of the one daughter and three sons of the marriage.

Mentioned by George Mallory.

Montagu, Edwin Samuel (1879–1924), politician, was born on 6 February 1879 at 12 Kensington Palace Gardens, London. He was the second son of Samuel Montagu, the first Baron Swaythling (1832–1911), a millionaire banker and later Liberal MP, and his wife, Ellen (1848–1919), daughter of Louis Cohen, a member of the prominent Jewish banking family of Liverpool. Henrietta Franklin (1866–1964) and Lilian Helen Montagu (1873–1963) were his elder sisters.

Mentioned by George Mallory in a letter to his wife Ruth.

Anton Ivanovich Denikin was a Russian Lieutenant General in the Imperial Russian Army (1916), later served as the Deputy Supreme Ruler of Russia during the Russian Civil War of 1917–1922. He was also a military leader of South Russia (as commander in chief).

John was George Mallory's third and youngest child and only son. He had two sisters Clare and Beridge. John donated his father's letters to the College.

An Italian Renaissance sculptor from Florence. Della Robbia is noted for his colourful, tin-glazed terracotta statuary, a technique which he invented.

Painter, draughtsman, writer and aesthete, born in Southport, Lancashire. From 1908-11 he read history at Cambridge University, then in Paris, after studying etching, pursued painting with Percyval Tudor-Hart before going to Munich. During World War I he was in the army and Royal Flying Corps, later working on battleship camouflage. Among Wood's writings after World War I were The Foundations of Aesthetics, written with C. K. Ogden and I. A. Richards. He also wrote on colour harmony, a favourite topic, and in 1926 published New World Vistas, an autobiographical work. From the 1930s Wood became increasingly fascinated by Persian Art; he learn Persian and subsequently became art adviser to the Persian government. His own paintings were influenced by Kandinsky, and he showed at Leicester and Zwemmer Galleries in solo exhibitions. After 1955 he rarely exhibited, but painted several portraits of Cambridge Academics. Throughout the war years Wood lived in a remote cottage above Llantony, Monmouthshire. After the war he lived mainly in his Hampstead house, where his studio was situated, though spent some of his time in his wife’s house in rural Gloucestershire with occasional visits to Llantony. Wood was married to a painter, Elisabeth Robertson, who had previously been the wife of the artist and writer Humphrey Slater. In 1980 Blond Fine Art held a retrospective.

A painter who was one of the five sons of Thomas Forbes Walmisley (1783–1866), a London-born organist, composer and ‘Professor of Music’, who also had at least two daughters.
Walmisley trained at the Royal Academy schools and according to Redgrave’s dictionary was also a pupil of H. P. Briggs. Redgrave also says that he ‘became paralysed in his legs early in life’ and that his works ‘were very mannered from want of power to study’. He nonetheless exhibited 21 at the Academy between 1838 and 1868, 18 at the British Institution between 1841 and its closure in 1867 and 16/17 at the Society of British Artists (SBA) during 1840–1872. The majority were landscapes and subject paintings, the latter often derived from literature and drama but the first five at the Academy (to 1841) were portraits.

Walmisley appears not to have married, and lived with his father and his two unmarried sisters. From some point before 1840 this was at 18 Cowley Street, Westminster, but probably from 1843 until 1846 he was in Rome. According to Graves’s Royal Academy listings, a Roman view he sent home in 1843/1844 was noted as ‘painted on the spot’ when submitted for the 1844 Academy show by his father. In the 1844 catalogue itself, his Rome address is given as Café Graeco and, in 1845, Via di Capo le Cose. From then on, Italian subjects from Venice to the Naples area predominate in his exhibition record, including after his return to London in 1847.

In about 1864 he and his father moved to 19 Earl’s Court Gardens, Brompton. His father died there aged 84 in 1866, leaving an estate of under £1,500, Frederick being executor. He died at St John’s Wood on 25th December 1875, aged 60.

Two of Walmisley’s brothers were organists. The eldest, Thomas Attwood Walmisley (1814–1856), became Professor of Music at Cambridge University in 1836. The other was Henry (1830–1857), an organist in London. Frederick’s portraits of them both were lent by their civil engineer brother, Arthur Thomas Walmisley (1847–1923), to the Victorian Era Exhibition of 1897 at Earl’s Court. The fifth brother, Horatio (1827–1905), became a clergyman. Frederick is also recorded in published RIBA papers for 1868–1869 to have done a ‘remarkably good portrait in oil’ of the architect Arthur Ashpitel, ‘representing him sitting and sketching’, of unknown date. (Ashpitel also studied in Rome from 1853.)

While Walmisley was only baptised Frederick (on 26th May 1815 at St Mary, Newington, Surrey) some contemporary and later printed references call him ‘F. W.’ or ‘Frederick W.’ which is seemingly an error.

A British artist. He was a member of the Royal Academy and well known as a portrait painter in the 1920s and 1930s. Todd was born in Helston in Cornwall. His father, Ralph Todd was a successful artist who taught at the Central School of Arts & Crafts in London. The younger Todd received art tuition from Stanhope Forbes in Newlyn before attending the Central School as a student. Todd served in the British Army during the First World War as a driver with the Army Service Corps. After the War, Todd had a picture exhibited at the Royal Academy in 1918. He enrolled at the Slade School of Fine Art and was there throughout 1920 and 1921. When he left the Slade, Todd travelled throughout France, Holland and Italy. Returning to Britain, Todd established himself as a successful artist becoming known for his portraits and his pastel and etching works.

An English painter and teacher of art, regarded as one of the foremost British portrait painters of his day. Born in Hammersmith, Spear attended the local art school before going on to the Royal College of Art in 1930. He began his teaching career at Croydon School of Art, later teaching at the Royal College of Art from 1948 to 1975, where his students included Sandra Blow

Educated at Hemel Hempstead Grammar School and Aldenham School. Matric 1957; PhD 1964, ScD 2001. Bye-Fellow 1962–1963, Fellow 1964 (Emeritus 2003), Tutor 1974, Senior Tutor 1980–1984, Joint Director of Studies in Natural Sciences. University Lecturer in Biochemistry 1968–2003; Visiting Fellow, Pasteur Institute, Paris, 1996; Hon Member, Société Française de Microbiologie.

Alasdair Rennie is an award winning artist who paints portraits, landscapes and still-life, he is an accomplished figurative sculptor and muralist.